Nikon D4 on location

I’ve had the D4 for about 10 days now and here are some quick thoughts.  (I will write a more thorough review as soon as time allows)

Since I got my hand on this camera I’ve shot mostly video – for a commercial where the camera acted as B-cam mounted inside/outside a car as well as a few specialty shots. We chose to record in 1080/25P to internal CF cards.  Main camera on the spot was a Sony F3 with S-log.

Inverted D4 mounted inside car for Driver shot
Mounted on car
Mounted to cheese plate outside car

 

There was one shot we wanted to get from above an ice climber wanting to believe he was hundreds of meter up in the air.  This was a perfect shot for a DSRL looking straight down with very shallow depth of field.  I put a 70-200 VRII on the D4 and got some amazing shots.

Shooting straight down leaning into a harness

 

There were also a few other short shots we captures with the D4.  I was sitting on a snow mobile with a gyro attached to the camera (14-24 and 70-200).  We got both wide angle speed shots as well as steady closeup with this setup.

14-24 and gyro
70-200 VRII with gyro attached

All in all as a first shoot I am very happy with the results. The body is on the heavy side for mounting, the D800 will be a better choice for that. I found that adding one more point of attachment, using hot shoe, was a good way of keeping the rig solid. I am working on getting a release for some frame grabs and will post as soon as I know.  On the other hand the bigger body makes for much easier hand holding IMHO, especially with a 70-200 attached.

On the still photography side (I also shot some stills for the ad campaign) they’ve added some really cool new buttons and an extra grip-pad to the body. This really is nice and makes for easier handling, especially in vertical mode. AF is blazing fast and spot on.    More sooooon.

 

Published by

mskogstrom

I work as Director of Photography based in sweden. One of my main strengths is finding the best possibilities for a chosen location, lighting it in a given time frame and producing images meeting, and hopefully exceeding the producers vision. After more than 15 years of working with the moving image I still enjoy the challange of getting “the shot” and seeing the light I own/run a production company in Malmo Sweden, www.pixeltouch.se

Leave a Reply